The Edwardian “Anne of Avonlea” Blouse

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This era of fashion was known as the “Gibson Girl” look, and is remembered for flowing,pastel dresses, corsets, airbuns, and hats!

Ever since the first time I watched “Anne of Avonlea“, I knew I wanted to wear some “Anne Shirley” costumes!  There is something so refreshing about the embroidered Edwardian blouses (called “shirtwaists” back then), and the long, flowing skirts.  Like the Regency Era nearly one hundred years before, the Edwardian era followed an era of ridiculous fashion and brought a return of elegant simplicity back to women’s styles.  The “Anne of Avonlea” film costumes accurately depict what ladies wore at the turn of the century, with the corseted waists, heirloom blouses, and the occasional silk dress.  The Edwardian era is often confused with the Victorian era, perhaps because the late 1890s and early 1900s did have many similarities in style.  For the costume historian however, you must accurately classify anything past 1900 as Edwardian, even if you feel like saying “Victorian” about feathered hats, long skirts, and corsets!

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While I was inspired by Anne Shirley’s costumes, this outfit actually looks more like Diana Barry’s.

While I love all Edwardian styles, I’ve always been particularly fond of the Edwardian blouses, so when Sense & Sensibility Patterns released their “Beatrix Shirtwaist Pattern” I bought it immediately!  The pattern gives the option for long sleeves, leg-o-mutton sleeves, or elbow length sleeves, plus either front or back button closures.  You could practically take any Edwardian blouse photo and copy it with this sewing pattern!

I chose the puffed elbow length sleeves and the back button closure, and the whole blouse was a breeze to put together.  While most blouses were tucked into a skirt and gathered at the center front for the classic “pouter pigeon” look, I preferred to wear this blouse untucked with a belt as the pattern suggests.

fiddler-on-the-roof-costumes
Tzeitel, Chava, and Hodel wore Edwardian blouses made of printed cottons for the “Chava Ballet” sequence in “Fiddler on the Roof”.

This reminds me of the blouses which Tevye’s daughters wore in “Fiddler on the Roof“!  I’ve always loved Hodel’s belted blouse which gives a mock “peplum” look, and when you use a ribbon instead of a firm belt it lends a very heirloom look to the outfit!

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Cluny lace trims the mock-neckline and sleeves on this Edwardian blouse.

I trimmed the sleeves and collar area with crocheted cluny lace, though for a more elegant blouse you could use valencienne or English netting lace.  The fabric itself was originally a white embroidered lawn by Robert Kaufman fabrics which I dyed using the “IDye” in ecru.

Hope you enjoy the pictures!

18 Comments

  1. I never tire of admiring it! I never tire of saying it!! It’s beautiful! Love, love!

  2. […] you to Katrina of Edelweiss Patterns for sharing her results from this pattern — those gorgeous photos against the blue […]

  3. Simply amazing 🙂 I love how the whole outfit works together!

  4. Amazing!

  5. That is beautiful! It is definitely inspiring me to make a similar outfit!

  6. Terrific post.
    Where did you get those fabulous gloves?!

    1. Edelweiss Patterns

      Hello there! I purchased my gloves from http://www.victoriasjewelrybox.com/ , but since that time it would appear that they no longer carry them. So I did some looking online and found something similar here. I also saw a closer replica at the Jane Austen website in Bath, England, but depending on where you live that may take a bit longer to get. Basically they are just 100% cotton, ivory crocheted Victorian gloves. Hope this helps!

  7. That’s really pretty! I love the hat!

  8. That is lovely. Have been looking to make some clothes from the Anne of Avonlea series. I really like the outfit Anne wears when she has that argument with Gilbert on the road. Any tips?

    1. Hello Gabriel,

      It’s good to hear from another “Anne of Avonlea” costume fan! Do you mean the lacy Peter Pan collar blouse with the trumpet skirt? I’ve never seen an exact pattern for that outfit, but you could easily adapt this Edwardian skirt pattern and the blouse pattern I used to achieve the same look! For the “Anne” blouse, I would add some more width to the gathered sleeve option, and just draft a pointed Peter Pan collar to attach at the neckline. If you use a delicate embroidered voile or lace, this blouse would look very close to the original! For the trumpet style skirt which was so popular in the Edwardian era, experiment with adding width to the lower part of the skirt gores until you get the “Anne Shirley” look. (I would definitely try the design in muslin first.) Hope this helps, and happy sewing!

      Katrina

  9. […] since I want it to be more of a surprise for the final photo shoot.  But I did pull out my Edwardian shirtwaist that I made last summer and tucked it into the skirt.  I really think you could almost wear this as […]

  10. […] confession time!  I wore this 1880s hat that came with the costume for my Edwardian blouse pictures (circa 1900) last June.  I hate to admit it, but this hat would have been outdated by twenty […]

  11. Alright, please excuse my last comment in your LHOTP original costume post, you have covered Anne of Avonlea already! I love this costume. It is very Anne.

    1. Thank you, Sertyan! I love the Gibson Girl era!

      Happy sewing,

      Katrina

  12. […] you to Katrina of Edelweiss Patterns for sharing her results from this pattern — those gorgeous photos against the blue […]

  13. I love these fashions and am starting to incorporate them into my everyday wear. Im so tired of the tramp like clothing that is in the today world. Give me elegance and feminity any day.

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